February 4, 2017 – Tergar Monastery, Bodh Gaya, Bihar, India
In the main shrine hall, behind the Karmapa’s brocade-covered chair is an elegant folding screen, with scrolling leafy branches and luxurious flowers in muted golds, greens, and subtle orange playing over a resonant black background. Between the screen and the Karmapa is an altar holding statues of Marpa and Milarepa on the right and left with Gampopa in the middle. His text, the Ornament of Precious Liberation, is the focus of the discussions. A butter lamp is lit before him, its light illuminating the gold in the statues and highlighting the screen behind. Set wide to the right and left are two screens, which display quotations from the monks’ reports and the charts they have made to unpack the text and make relationships clear.
This has been the setting for the study of the Read the rest of this article