Keep up to date with the Karmapa's activities, teachings and travels by subscribing by email or Twitter below. You can unsubscribe whenever you like.

From Heart Son to Master – Gyaltsab Rinpoche Offers the Vajrasattva Empowerment

25 December, 2014  Monlam Pavilion, Bodhgaya,

After five glorious days of transmissions the participants are treated to one final empowerment, specially requested by the Gyalwang Karmapa. In the afternoon session on the final day, Kyabje Goshir Gyaltsab Rinpoche offers the Vajrasattva empowerment, bringing the “Knowing One Frees All” empowerments to an auspicious completion.

“This Vajrasattva empowerment will be particularly beneficial for those doing their ngongdro preliminary practices,” the Gyalwang Karmapa had told the participants earlier in the day.

An hour before the empowerment begins Gyaltsab Rinpoche is already on stage, performing the preliminary rituals behind the ornately painted, four-panelled screen. By 2pm the Monlam Pavilion is once more packed to capacity, with more than 10,000people coming together from all Read the rest of this article

A Rain of Blessings: the Anniversary of Dusum Khyenpa’s Parinirvana

December 24, 2014 Monlam Pavilion, Bodhgaya
In the chill of the late afternoon, the Pavilion is surrounded by the warm light of candles, tracing the edges of the roof above, and below, the curving lines of the walls around the offering hearths. Across the fields, the walls of the main shrine and the Karmapa’s quarters are aglow, draped in the flowing lines of bright lights, remindful, too, of the Christmas Eve that is being celebrated in other parts of the world.

Inside the Pavilion, the magnificent throne is now occupied by a life-like statue of Dusum Khyenpa, his eyebrows slightly raised as his eyes gaze downward in meditative concentration. The Gyalwang Karmapa’s carved throne of a warm brown wood has been placed on the right side of the stage in between lower thrones for his heart sons Jamgön Kongtrul Rinpoche and Gyaltsap Read the rest of this article

“Chig shes Kundrol” Initiations

The Many Forms of Tara

Day Two: The Initiations of ‘Knowing One Frees All’

Monlam Pavilion, Bodhgaya

21 December, 2014

At 5.30am His Holiness’ car left Tergar Monastery, its headlights cutting through the early morning fog, as he made his way to the Monlam Pavilion to begin the preparations for this morning’ s three empowerments. Two hours later, there was still a distinct chill in the air as monastics and laypeople, wrapped up warm in jackets, scarves and woollen hats, waited patiently to pass through  security control into  the pavilion.

On the stage inside the pavilion, the ritual master put the finishing touches to the golden mandala shrine, checking that all the sacred objects necessary for the morning’s three empowerments—White Tara with Retinue, Tara of Read the rest of this article

The Gyalwang Karmapa Bestows Initiations from “Knowing One Frees All”

20 December, 2014 Monlam Pavilion, Bodhgaya
At the request of the Kagyu Monlam Committee, the 17th Gyalwang Karmapa is kindly bestowing a special series of initiations, the twenty-four peaceful deities of “Knowing One Frees All”(Chig shes Kun drol), composed by the Ninth Karmapa Wangchuk Dorje (1556–1603). Though the Karmapa has given a great number of individual empowerments, this is the first occasion in this lifetime that he has bestowed such a series of initiations. This special program from December 20 to 25 is given in commemoration of the First Kyabje Kalu Rinpoche, who passed away twenty-five years ago, and of the Second Kyabje Bokar Rinpoche, who passed away ten years ago.What follows below is some background information for “Knowing One Frees All”―its traditions, structure, and the present Karmapa’s Read the rest of this article

HH the Sakya Trizin Bestows the Muni Trisamaya Vyuha Empowerment

20th December, 2014 – Monlam Pavilion, Bodhgaya
The stage at the Monlam pavilion is set with exquisite attention to detail for the Muni Trisamaya Vyuhaempowerment of Buddha Shakyamuni. A gold leaf pagoda with wind chimes hanging in each corner, and golden auspicious symbols embossed on green panels, contains the mandala of the deity. Large ornate carved offering bowls sit on its rim. At centre stage is a floor to ceiling appliquéd Buddha Shakyamuni thangka. Behind that to the left is a smaller golden statue of Buddha Shakyamuni. A screen with the kings of the four directions painted in the Chinese style is placed at the forefront of the stage so that preliminaries for the empowerment can be conducted in private. From the ceiling inverted silken petals drape the overhead lights like chandeliers. Garlands of marigolds hang from horizontal ceiling Read the rest of this article