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The Nature of Mind: A Teaching Given to International Students at The Root Institute, Bodhgaya

3rd Jan – Bodhgaya.

Although the 30th Monlam has ended, the Gyalwang Karmapa is continuing his activities in Bodhgaya.

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Gyalwang Karmapa’s Teaching on The Torch of Certainty

31st December – Bodhgaya.

The correct way to practise the Buddhadharma
Gyalwang Karmapa arrived in procession. He prostrated three times and then took his seat on a low throne, an adaptation of an armchair design, surrounded by his lamas, with Gyaltsab Rinpoche on his right and Jamgon Kongtrul Rinpoche on his left. The translator Ringu Tulku sat at the head of the first row of lamas, and lounging behind him, cheeky little Drupon Dechen Yangsi could be clearly seen on the all-revealing monitors.

Gyalwang Karmapa explained that he had chosen this text, written by Jamgon Kongtrul Lodrö Thaye, because the theme of the Monlam was the commemoration of the Jamgon Kongtrul lineage. He did not plan to go through the whole text this year as there was no benefit in rushing, but he hoped to be able to cover refuge and Vajrasattva, particularly as those who had taken the Vajrasattva empowerment would then have everything they needed to do the Vajrasattva practice.

[What follows is a summary Read the rest of this article

A Gift to Serious Practitioners: The Nag-Gyal-Phag-Sum Text

30th December – Bodhgaya.

As part of the commemoration of the Jamgon Kongtrul lineage celebration, the Gyalwang Karmapa has reproduced 300 copies of a rare text, the Nag-gyal-phag-sum, and offered it to practitioners who have completed a three year retreat, others residing in retreat centres, and leading rinpoches and lamas. The author and compiler of this text was the Fifth Shamarpa, Kunchok Yenla. The original was printed in gold ink on black paper. The main subject of the text is a practice to the three protectors Mahakala, Gyalwa Gyatso and Dorje Phagmo, hence the name. As this text was in danger of being lost completely, the intention of the Gyalwang Karmapa was to preserve this precious text for future generations.

The text originated in India. In the beginning, the three practices were separate but they were compiled into one book at the time of the Second Karmapa, Karma Pakshi, consequently the text is regarded as particularly sacred. In the meditation tradition of the Karma Kamtsang lineage the number of practices Read the rest of this article

Khyabje JamgÖn Kongtrul Rinpoche’s Talk on Calling The Lama From Afar

30th December – Bodhgaya.

On December 30th 2012, in the radiant light of the morning, the Fourth Jamgön Rinpoche walked from Tergar Monastery through the spacious doors of the Monlam Gate, over land that the Buddha must have once trod, and into the Monlam Pavilion. Preceded by monks carrying incense, he walked down the central aisle towards a throne luminous as liquid gold and shaped like the rising sun.

After making three prostrations in the direction of the Buddha, he walked up the stairs to the large hand prints of the First Jamgön Kongtrul, which were framed in burnished gold and edged by a garden of fresh white flowers. The Fourth incarnation now offered a long white kata, which he laid out over the blossoms, and then descended to take his seat on the throne. His head was encircled by the rim of a Dharma Wheel etched in the back of the throne. It was the perfect setting for his first large public teaching on a beloved text—Calling the Lama from Afar by his first incarnation Jamgön Kongtrul Lodrö Thaye. During Read the rest of this article

Homage to The Jamgon Kongtruls

30th December – Bodhgaya.

At 7:30 in the morning a procession of monks in golden ceremonial hats set out from Tergar Monastery to the Monlam Pavilion carrying a plain wooden palanquin with a precious statue of Pema Gyalpo, one of the eight manifestations of Guru Rinpoche. The statue is a terma treasure revealed by the 15th Karmapa, Khakyab Dorje, the father of the second Jamgon Kongtrul. Four men in brocade costumes, two in white and two in dark blue, held the palanquin. They marched slowly with regal pomp while the horns announced the arrival of the sacred image contained within a bejewelled reliquary. When it arrived at the tiered stage, the Karmapa walked down the steps with a ceremonial scarf to greet the precious image. With exquisite care he placed it just below the golden Buddha at the top of the stage. This moment of heartfelt devotion captures the relationship between the Karmapas and the Jamgon Kongtrul lineage: father and son, guru and disciple from lifetime to lifetime.

The stage was set under the Read the rest of this article