January 26, 2015
The road into the Vihar has been lined in soft orange and cream satins embellished with gold sequins, and just after the gate into the Vihar, a large Dharma wheel has been chalked on the red carpeting. Nearby are a group of five male dancers with tall brocade hats and their maroon and white striped stoles. Just behind them wait five Ladakhi ladies, wearing their distinctive clothing and headdress—a wide turquoise studded wave that dips down over their forehead to end in a single beautiful stone. They carry long-spouted brass pitchers of liquor, the traditional offering of welcome in the Himalayan region. In the courtyard, about four hundred ordained and lay people wait before an open area reserved for the dance performances. Just beyond it, an elevated pavilion has been set up with a throne for the Gyalwang Karmapa, net to which is a shrine with an impressive three-foot Buddha statue lined below with the traditional seven offering bowls and a butter lamp.
Minutes before two o’clock, the distant sound of a Read the rest of this article